Bread

Bread
Valley Bread-photo by Anna M. Power

Thursday, April 9, 2015

On Bread

It is spring and  everything that has laid dormant over the long winter is starving for release.We hunger for the primitive rituals of our mothers, for the strength of hands kneading the dough, for the patience to observe the yeast rising over and over, for the promise of a resurrection born out of our own sour and difficult fermentations. Spring is swelling in the yellow bowl, coming to terms with its borders and pushing up, the floured linen veil lifting, even the pale and rubbery dough is seeking the light.

From the hands of my daughter, who rings up pastry at a local eatery, all manner of scones and day old wheatberry breads come though this door, end up on my table. Meanwhile I have decided to give up carbs,troubled by the inebriation of wheat, the unmindful habit that interferes in the task of living.
My writing life is disturbed by the numbness of the morning after, by the last of the malted Easter eggs devoured at midnight, how I sucked the dust of their yokes until the breath of sugar consumed me. I awoke on the couch just before my daughter left for school, still in my boots with the empty bowl fallen at my feet. No wonder that barley was at the heart of it, it's own germination coaxed forth in the soaking, then abruptly halted, the delicate grains dried and crumbled into ash like the fits and start of my writing life.

In this valley, even the hills are made of bread and one must come to terms with it, declare our own truce, be able to stroll the bakeries and the farmer's markets without filling our baskets to the brim with the beautiful loaves. We must, as the monks say, develop equanimity with all things, even the wheat.

What is your relationship with bread? Free associate a list of words in relationship to the word bread. Imagine a sour yeast from your own life rising. What form would it take? What would that kneading onto the page, that meeting of boundaries, that breaking through look like?

At the Table of Bread

I am at a table that is not mine but I have sat here
 late into the night with my children
and on it’s back torn the braids of the day old Challah
my daughter brought home from her dishwashing job
 in the kitchens of Bread Euphoria.
I have laid down my knife and broken the clever braids
though I am not of that tradition,
 the twelve tribes separating and making their rounds
to every seat underneath a bright wash of beaten egg
until they fell away into crumbs.
Ours were the dry unleavened wafers that adhered like paste
to the roof of your mouth at communion, while you tried to not notice
 how your were choking on so many unsaid words, that hostia cementing
your throat, that host, sacrificial victim itself, without any choice
in the matter of its own consecration.
 Now a bowl of vintage valentines and an Iroquois heart
beaded with the word “Montreal” pays tribute to my ancestors,
my grandmother Josephine’s’ sliver candlesticks I pawned once
 then left in an attic in a Maine farmhouse with my children’s father
before the three of us fled south.
This is not the table of my mother
where we sat as children, knowing her own tonsils had been taken
from her throat as a child right where the porcelain tureen of clam chowder
 had been set down, thick and steaming before us this table, this one here on loan
to me has touched both Challah and the shank end of the ham, been prayed over at Shabbat, has spent summers in the south, been stained with tomato pudding and scraped raw by the oysters grey and mother of pearl shells from the Chesapeake bay, felt all that joy and known those all those dead and living things brought to bear on it.